Bibliographie

Batty, C., Beaton, K., Sculley, S., & Taylor, S. (2017). The screenwriting PhD : Creative practice, critical theory and contributing to knowledge. TEXT, 21(Special 44), Article Special 44. https://doi.org/10.52086/001c.25864
Batty, C., Burne, P., & Gaunson, S. (2020). Screenwriting the Beach : Conflict, Catharsis and the Character Arc in Australian Film. In E. Ellison & D. L. Brien (Éds.), Writing the Australian Beach : Local Site, Global Idea (p. 39‑56). Springer International Publishing. https://doi.org/10.1007/978-3-030-35264-6_3
Batty, C., Lee, S.-J. S., Sawtell, L., Sculley, S., & Taylor, S. (2015). Rewriting, remaking and rediscovering screenwriting practice : When the screenwriter becomes practitioner-researcher. 1‑14.
Batty, C., O’Meara, R., Taylor, S., Joyce, H., Burne, P., Maloney, N., Poole, M., & Tofler, M. (2018). Script development as a ‘wicked problem’. Journal of Screenwriting, 9(2), Article 2. https://doi.org/10.1386/josc.9.2.153_1
Batty, C., & Taylor, S. (2015). Interrogating writing practices : Perspectives from the screenwriting industry. Writing in Practice.
Batty, C., & Taylor, S. (2018). Digital Development : Using the Smartphone to Enhance Screenwriting Practice. In M. Schleser & M. Berry (Éds.), Mobile Story Making in an Age of Smartphones (p. 21‑29). Springer International Publishing. https://doi.org/10.1007/978-3-319-76795-6_3
Batty, C., & Taylor, S. (2019a). Comedy writing as method : Reflections on screenwriting in creative practice research. New Writing, 16(3), Article 3. https://doi.org/10.1080/14790726.2018.1544260
Batty, C., & Taylor, S. (2019b). Teaching Screenwriting Through Script Development : Looking Beyond the Screenplay. In C. Batty, M. Berry, K. Dooley, B. Frankham, & S. Kerrigan (Éds.), The Palgrave Handbook of Screen Production (p. 459‑472). Springer International Publishing. https://doi.org/10.1007/978-3-030-21744-0_35
Batty, C., Taylor, S., Sawtell, L., & Conor, B. (2017). Script development : Defining the field. Journal of Screenwriting, 8(3), Article 3. https://doi.org/10.1386/josc.8.3.225_1
Beauparlant, S. (2018). Nouveaux écrans, nouveaux scénarios. Interfaces numériques, 5(1), Article 1. https://doi.org/10.25965/interfaces-numeriques.2933
Bem, C. (2017). Introduction. L’intermédialité est la carte autant que le territoire. Intermédialités: Histoire et théorie des arts, des lettres et des techniques, 30‑31, Article 30‑31. https://doi.org/10.7202/1049943ar
Boni, M. (2017). Des téléspectateurs géolocalisés : Traces de la réception et construction de l’espace à l’ère du numérique. Sens public. https://doi.org/10.7202/1048867ar
Broudoux, É. (2011). Le documentaire élargi au web. Les Enjeux de l’information et de la communication, 12/2(2), Article 2. https://doi.org/10.3917/enic.hs03.0003
Cailler, B., & Masoni Lacroix, C. (2014). Industries narratives et publics de télévision : Le défi de la logique transmédia. Télévision, 5(1), Article 1. https://doi.org/10.3917/telev.005.0027
Cattrysse, P. (2017). Cultural Dimensions and an Intercultural Study of Screenwriting (p. 8‑27).
Charpilloz, P. (2016). Hollywood, de la fiction aux univers : Cinéma, littérature, jeu vidéo : Walt Disney à l’ère du transmédia. 24 images, 179, Article 179.
Chevrier, H.-P. (2013). Faut-il savoir lire pour écrire un scénario? : Les guides de scénarisation. Ciné-Bulles, 31(1), Article 1.
Corrons, F., Garnier, E., Gobbé-Mévellec, E., Lumière, É., Martinez Thomas, M., Mohring, A., Péran, B., Surbezy, A., & Yemsi-Paillissé, A.-C. (2017). De la critique des dispositifs à l’intermédialité pour approcher les productions artistiques : Bilan des travaux du séminaire Intermedialidades (Université Toulouse-Jean Jaurès, France). Intermédialités : histoire et théorie des arts, des lettres et des techniques / Intermediality: History and Theory of the Arts, Literature and Technologies, 30‑31, Article 30‑31. https://doi.org/10.7202/1049955ar
Crosta, M. D., & Chantôme, A. (2016). La conception de jeux en réalité alternée reliés aux séries télévisées. La scénarisation de fictions ludiques hybrides, entre jeu traditionnel et jeu numérique. Sciences du jeu, 5, Article 5. https://doi.org/10.4000/sdj.587
Crouse, J. (2008). Remystifying Movies : George Toles in conversation with Jeffrey Crouse. Film International, 6(3), Article 3. https://doi.org/10.1386/fiin.6.3.10
Di Crosta, M. (2013). Stratégies narratives transmédias. Terminal. Technologie de l’information, culture & société, 112, Article 112. https://doi.org/10.4000/terminal.571
Duret, C. (2017). Une cartographie des relations intermédiales entre le jeu vidéo et les autres médias dans le cadre des franchises transmédiatiques. Intermédialités : histoire et théorie des arts, des lettres et des techniques / Intermediality: History and Theory of the Arts, Literature and Technologies, 30‑31, Article 30‑31. https://doi.org/10.7202/1049954ar
Ellingsen, S., & Taylor, S. (2019). Writers, Producers and Creative Entrepreneurship in Web Series Development. In C. Batty, M. Berry, K. Dooley, B. Frankham, & S. Kerrigan (Éds.), The Palgrave Handbook of Screen Production (p. 181‑191). Springer International Publishing. https://doi.org/10.1007/978-3-030-21744-0_14
Freeman, N. (2012). Sound in Documentary Scriptwriting. http://hdl.handle.net/11343/123459
Gantier, S. (2016). Scénariser le rôle et le pouvoir d’agir de l’utilisateur : Vers une typologie interactionnelle du documentaire interactif. Entrelacs. Cinéma et audiovisuel, 12, Article 12. https://doi.org/10.4000/entrelacs.1840
Geerts, R. (2009). Objectivity Through Subjectivity. : How Subjective Narrative Strategies Can Tell Us Something About Reality. http://hdl.handle.net/2013/
Geerts, R. (2010a). Collision of Cultures : Impact on the Screenplay. http://hdl.handle.net/2013/
Geerts, R. (2010b). L’écriture du scénario : Pratiques croisées USA/Europe. http://hdl.handle.net/2013/
Lacasse, G. (1993). Vestiges narratifs. Les Premiers Temps du scénario québécois. Études littéraires, 26(2), Article 2. https://doi.org/10.7202/501045ar
Lee, S.-J. S., Lomdahl, A.-M., Sawtell, L., Sculley, S., & Taylor, S. (2016). Screenwriting and the higher degree by research : Writing a screenplay for a creative practice PhD. New Writing, 13(1), Article 1. https://doi.org/10.1080/14790726.2015.1135964
Marino, V. (2015). À la poursuite de demain : Dix ans de transmédia. 24 images, 175, Article 175.
McNamara, J. (2018). Decomposing scripts : Ethnography and writing about writing. Journal of Screenwriting, 9(1), Article 1. https://doi.org/10.1386/josc.9.1.103_1
Munro, K., Murray, P., & Taylor, S. (2020). Diarology for beginners : Articulating playful practice through artless methodology. New Writing, 17(1), Article 1. https://doi.org/10.1080/14790726.2019.1566367
Murphy, A. (2013). Reverse Adaptation and Continuing the engagement in Transmedia Storytelling. In New Ideas in the Writing Arts (1ed éd., p. 17‑32). Cambridge Scholars Publishing.
Murphy, A. (2016). From Script to Novel : An Exploration of Reverse Adaptation [Flinders University, School of Humanities and Creative Arts]. https://theses.flinders.edu.au/view/bc2742ed-2eac-4e64-bacf-53bd6571f310/1
O’Meara, R. (2015). Changing the way we think about character change in episodic television series. Journal of Screenwriting, 6(2), Article 2. https://doi.org/10.1386/josc.6.2.189_1
O’Meara, R. (2017). Sexism From Page to Screen : How Hollywood Screenplays Inscribe Gender. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 10(2), Article 2. https://doi.org/10.31165/nk.2017.102.506
O’Meara, R., & Bevan, A. (2018). Transmedia Theory’s Author Discourse and Its Limitations. M/C Journal, 21(1), Article 1. https://doi.org/10.5204/mcj.1366
Pelletier, E. (2011). Processus d’écriture et niveaux d’organisation du scénario et du film. Cinémas, 2(1), Article 1. https://doi.org/10.7202/1001051ar
Potter, M. (2017). Story systems : The potential of transmedia storytelling as material embodiment of a collective enactment of place and identity (L. Bocanegra Barbecho & A. García López, Éds.; p. 155‑173). Downhill Publishing. https://doi.org/10.5281/zenodo.1134127
Rio, F. (2014). Le livre augmenté : Pour une innovation technique et narrative. Mémoires du livre, 5(2), Article 2. https://doi.org/10.7202/1024782ar
Sciberras, S. (2016). Successful character, story and theme, when writing a multiple protagonist screenplay—As investigated in the writing of the screenplay The Three Lucias. University of Melbourne.
Taylor, S. (2015a). Arrested Development : Can funny female characters survive script development processes? Philament, 20, 61‑77.
Taylor, S. (2015b). « It’s the Wild West out there » : Can web series destabilise traditional notions of script development? 1‑14.
Taylor, S. (2015c). The model screenwriter—A comedy case study? 1‑20.
Taylor, S. (2016a). Ghostbusting in screenwriting practice : Rewriting the corrective culture of script development. 1‑11.
Taylor, S. (2016b). In her shoes : Flipped-realities and female perspectives in comedy screenwriting. Senses of Cinema, 80, Article 80.
Taylor, S. (2017a). Hidden a-gender : Questions of gender in screenwriting practice. Networking Knowledge: Journal of the MeCCSA Post-Graduate Network Special Issue, Gender and the Screenplay: Processes, Practices, Perspectives, 10(2), Article 2.
Taylor, S. (2017b). Screenwriting Melbourne/s : Representing and recreating a city within a screenplay’s flipped reality narrative. Sense of Cinema, 85, Article 85.
Taylor, S. (2017c). Text and the city : The teaching and practice of scripting cities for the screen. Studies in Australasian Cinema, 11(3), Article 3. https://doi.org/10.1080/17503175.2017.1397316
Taylor, S., & Batty, C. (2016). Script development and the hidden practices of screenwriting : Perspectives from industry professionals. New Writing, 13(2), Article 2. https://doi.org/10.1080/14790726.2015.1120314
Taylor, S., Munro, K., & Murray, P. (2019). Advanced diarology : Mortification, materiality and meaning-making. TEXT, 23(Special 57), Article Special 57. https://doi.org/10.52086/001c.23585
Tofler, M., Batty, C., & Taylor, S. (2019). The comedy web series : Reshaping Australian script development and commissioning practices. Australasian Journal of Popular Culture, 8(1), Article 1. https://doi.org/10.1386/ajpc.8.1.71_1
Vermeesch, A. (2004). Poétique du scénario. Poétique, 138(2), Article 2. https://doi.org/10.3917/poeti.138.0213